Dangerous Women

Dangerous Women

by Hope Adams
Dangerous Women

Dangerous Women

by Hope Adams

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Overview

Named one of 2021’s Most Anticipated Historical Novels by Oprah Magazine ∙ Cosmopolitan ∙ and more!

Nearly two hundred condemned women board a transport ship bound for Australia. One of them is a murderer. From debut author Hope Adams comes a thrilling novel based on the 1841 voyage of the convict ship Rajah, about confinement, hope, and the terrible things we do to survive.


London, 1841. One hundred eighty Englishwomen file aboard the Rajah, embarking on a three-month voyage to the other side of the world. 

They're daughters, sisters, mothers—and convicts. 

Transported for petty crimes. 

Except one of them has a deadly secret, and will do anything to flee justice.

As the Rajah sails farther from land, the women forge a tenuous kinship. Until, in the middle of the cold and unforgiving sea, a young mother is mortally wounded, and the hunt is on for the assailant before he or she strikes again.

Each woman called in for question has something to fear: Will she be attacked next? Will she be believed? Because far from land, there is nowhere to flee, and how can you prove innocence when you’ve already been found guilty?

Product Details

ISBN-13: 9780593099582
Publisher: Penguin Publishing Group
Publication date: 01/11/2022
Pages: 336
Sales rank: 436,089
Product dimensions: 5.40(w) x 8.10(h) x 1.00(d)

About the Author

Hope Adams was born in Jerusalem and spent her early childhood in many different countries, such as Nigeria and British North Borneo. She went to Roedean School in Brighton, and from there to St. Hilda's College, Oxford.

Read an Excerpt

9780593099575|excerpt

Adams / DANGEROUS WOMEN

I wish I didn’t know, she thought. I wish I’d never found out. I wish I could be the person I was this morning, before we sat down to our stitching.

The sea moving past the ship was almost black in the fading light. Where the Rajah was now, in the middle of the Southern Ocean, there was only a short time between sunset and darkness. She leaned over to look more closely at the water. It rushed past the hull, curling up into small waves, which slid away to lose themselves in larger waves or long swells of water. For a long time she’d been afraid of it, walking along with her eyes fixed on the planks of the deck, seeing the ocean only when it couldn’t be helped, catching sight of it from the corner of her eye. Now, after many weeks at sea, she’d grown used to it, was in awe of it and loved it, albeit warily.

She’d fallen into the habit of going to the rail when the stitching work was finished. She liked to stand there for a few minutes, alone, trying to see what lay beyond the line of the horizon, breathing in the wide water and the high sky that seemed to go on and on till you grew dizzy staring up at it. Now the only thought in her head was what she’d learned. ­Every feeling in her heart was muddled, and the fear that had overcome her since she’d found out—discovered by noticing a gesture for the first time—wouldn’t go away. There had been a shadow before, near the coil of rope, and she peered behind her now to see if anyone was there, looking at her. She saw nothing. But what was that noise? She held her breath, though the only sound was the familiar groaning of ropes in the rigging. Then she felt a change in the air around her, became aware of someone coming up beside her, and turned, ready to tell whoever it was to go and leave her alone.

Pain took away her words. She reached out, but as soon as it sliced into her clothes, as soon as it pierced her skin and reached her flesh, the blade was gone and whoever had held it had disappeared, too, and there was nothing left but an agony of white, shining pain, and her own hands suddenly scarlet and wet as she clutched them around herself.

The knife, the knife has killed me, she thought, and a sound filled the whole of her head and poured out of her mouth in a torrent of screaming.

1

NOW

5 July 1841

Ninety-­one days at sea

A knife . . . is it true? Who’s got a knife?

Hide. I must hide . . . Oh, my blessed saints, help us . . . Is there blood?

Where is it? Is it here? Someone’s got a knife . . .

Who’s got it now? Where is it?

They’ll cut our throats . . .

The women’s voices twisted into one another, rising and falling in the gathering darkness of the cabin. The lanterns had not yet been lit and the light from the small windows was fading. The women who weren’t shrieking were wailing and clinging to each other, and even though no one said the words, and no one dared to ask, one question hung in the fetid air: Is she dead?

Those who’d been on deck when it happened sat together, trembling and white-­faced, some still holding their baskets of scraps and sewing. The three women known as the Newgate Nannies shifted and settled on the cabin’s longest bench, gathering their garments around them, like three birds of prey folding their wings. Behind them, the sleeping berths rose up, and the dark corners of the convicts’ quarters seemed gloomier than ever. The Rajah rolled a little in the swell, her timbers creaking with the motion of the waves.

They were now much nearer to Van Diemen’s Land than to England. The sea had been as flat as a sheet of glass for the last two weeks but had grown choppy around dawn. By sunset birds had appeared, wheeling in free spirals around the masts, their black shapes standing out against the pale sky. July in these latitudes meant winter, and there was often a chill in the air.

“She was probably asking for it,” said a harsh voice, sharp with spite.

“Shut your filthy mouth,” said another woman, with a pockmarked face—the one who took care of the children aboard. “Say another word, you fat bitch, and I’ll bash your teeth so far into your head you’ll be farting them out through your arsehole.”

Someone stood up as angry murmurs turned to shouts, and another hissed, “Quiet, the lot of you. They’re coming.”

They heard the men before they saw them. Their voices rang loud in the darkness, their feet stamping heavily on the steps of the companion­way. The women stared at these strange creatures as though they were more than human: taller, stronger, calmer. The cap­tain and the Reverend Mr. Davies, accompanied by three sailors, faced the huddled bodies of the women, like a human wall. The matron, Miss Kezia Hayter, was with them. She wore a blue knitted shawl around her shoulders, and her pale face was unsmiling. Her hair, usually so well arranged, was disheveled and her eyes were full of sadness.

As they waited for the captain to speak, some women cried; others clamped their lips together and tightened their jaws, eyes wary, daring others to blame them. There were those also who longed for matters to be as they were before, in the harmony they’d found briefly before the screams began. Before they’d seen Hattie Matthews lying there, her hair like red-­gold autumn leaves scattered on the deck. Before everything was torn apart.

Reading Group Guide

DANGEROUS WOMEN by Hope Adams
Discussion Questions

1. Transportation, the act of sending convicted criminals to exile in penal colonies across the globe, was a harsh sentence. But in Dangerous Women, there are at least two characters who regard leaving England as an escape. Can you sympathize with this viewpoint?

2. Kezia Hayter was a deeply religious young woman, which translates in the novel as her search for justice and mercy in the face of an unspeakably horrible act. Are there other aspects of the narrative which reflect Kezia’s faith?

3. The story plays out through the eyes of the three main female characters. What do you think it might have been like told through the voices of three men? For example, James Donovan or the Captain?

4. The Rajah Quilt was the inspiration for this novel. But much of the novel could be told even if no quilt had been made. What difference does its making have on the story?

5. The women aboard the Rajah are in many ways deeply flawed. But one could argue that the motivation for their crimes came from a desire to make things better for people in some way (especially for Clara or Hattie). Do you think this is right?

6. Similarly, many of the female convicts were convicted of crimes they committed because of their poverty. Did the nature of their crimes fit the punishment they received? Do you think you would have been more understanding of their crimes?

7. The voyage of the Rajah in 1841 was a very peaceful and pleasant one, according to the logs we have of the trip. One woman died of natural causes and there was not much ill health. But, as they say, “happiness writes white.” What difference does it make to have a suspense element in the mix?

8. Do you think Clara deserves a second chance even though she used deception and lies to get it?

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